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900

Italic

update

With the Italic update, Exat becomes an even more powerful typographic tool. Its expanded range gives you greater control over contrast, rhythm, and tone, adding flexibility and creative possibilities across contexts and projects. Scroll down for inspiration and see roman-italic combinations in action through color, motion, and interaction.

Scroll, interact and enjoy.

The Complete Works

( 1973 )

Ola!

The future does not arrive as a finished image. It is

produced through decisions made in the present. New

materials, new forms of labour, new technologies and

new social structures continuously redefine what is

possible. Design cannot predict these conditions

completely, but it can participate in their construction.

To design is therefore not simply to solve an existing

problem. It is to propose a different relationship between what exists and what could exist.

Abstraction does not mean

separation from reality. It can be a

method for understanding reality more

precisely. By removing the accidental,

relationships become visible:

proportion, tension, repetition,

balance and scale.

The future does not arrive as

a finished image.

Visual Archive™

🅝

Ⓜ

Good design is as little as possible. Less, but better, because it concentrates on the essential aspects, and the products are not burdened with non-essentials. Back to purity, back to simplicity.

Dieter Rams

1998

The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible.

​

Digital printing has revolutionized the fashion industry in recent years, providing designers with new and innovative ways to bring their ideas to life. This technology allows for high-quality graphics and images to be printed directly onto fabric, giving designers the freedom to create intricate and detailed designs that would have been impossible to produce using traditional printing methods.

​

One of the major advantages of digital printing is its speed and efficiency. With digital printing, designers can produce large quantities of fabric quickly and accurately, which helps to reduce lead times and increase productivity. In addition, digital printing allows for a higher level of customization, with designers able to create unique and personalized designs for each client or customer. Another advantage of digital printing is the quality of the finished product.

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Gear

Shaft

Bearing

Piston

Valve

Pulley

Spring

Flywheel

Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Machine

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ID

Status

Hybrid

N—314/11.NW/286

Sleep

Definition and Core Concepts

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Fũnctiōń

Münich

⇥ 0.726

Mödüle

Förm

Kinetics

Ø.21

↔

№

Twëlvë™

→

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

₸

New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

​

The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

With digital printing, designers can produce large quantities of fabric quickly and accurately, which helps to reduce lead times and increase productivity.

○

Exat Update 2.0

02 / 86

3

amore

amore

amore

Abstraction does not mean separation

from reality. It can be a method for understanding reality more precisely. By removing the accidental, relationships become visible: proportion, tension, balance, repetition and scale.

Introduction

The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

■

Movement & Collective Life

M ↔ O

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biennale

zagreb

april

11th

Zagreb Biennale brings together artists and designers exploring new directions in visual culture. Through typography, image and spatial experiments, the exhibition examines how form shapes perception and opens new possibilities for the way we see, think and communicate.

Moving between art, design and architecture, the programme connects contemporary practices with the city’s experimental heritage. Exhibitions, talks and installations invite visitors to question familiar structures and discover new relationships between objects, ideas and the spaces we share.

Info point

Restaurant

Trattoria dall'Oste

Spa & Wellness

Exat

←

↖

→

↙

Hot Type

Exat / Update 2.0

October / 10th / 2026

Exat comes in seven weights, ranging from Extra Light to Black. We expanded the system to the Condensed, Normal, and Wide subfamilies to further enhance its versatility. This makes for a total of 21 carefully crafted styles that retain a print-like quality on account of their tight spacing and refined curves. The variable font technology provides users with maximum control in choosing the exact type—fit for any setting.

​

Inspired by the modernist era and local Croatian graphic design quirks—such as modified thin accents—we developed a stylistic set that can turn diacritics, punctuation, and even symbols into their thinner alternates. There is a substitute shape for the lowercase letter “a”, as well as options to place letters and numbers into squares and circles.

​

Everything you’d need when it comes to all-encompassing functionality—and then Exat can do some more: case-sensitive characteristics, language-specific features, stylistic interventions, and number-related properties, such as a slashed zero, fractions, and superior/inferior figures. Find out what Exat can do for you—it’s just a click away in the Open Type menu.

Exat has 1715 glyphs per style for versatile design. It includes numerals, symbols, punctuation, currency symbols, and even a dingbat set, making it a powerful typographic tool for demanding tasks.

Stereo Mark Keldren

( 1973 )

Exat comes in seven weights, ranging from Extra Light to Black. We expanded the system to the Condensed, Normal, and Wide subfamilies to further enhance its versatility. This makes for a total of 21 carefully crafted styles that retain a print-like quality on account of their tight spacing and refined curves. The variable font technology provides users with maximum control in choosing the exact type—fit for any setting. Inspired by the modernist era and local Croatian graphic design quirks—such as modified thin accents—we developed a stylistic set that can turn diacritics, punctuation, and even symbols into their thinner alternates. There is a substitute shape for the lowercase letter “a”, as well as options to place letters and numbers into squares and circles. Everything you’d need when it comes to all-encompassing functionality—and then Exat can do some more: case-sensitive characteristics, language-specific features, stylistic interventions, and number-related properties, such as a slashed zero, fractions, and superior/inferior figures. Find out what Exat can do for you—it’s just a click away in the Open Type menu.

Exat has 1715 glyphs per style for versatile design. It includes numerals, symbols, punctuation, currency symbols, and even a dingbat set, making it a powerful typographic tool for demanding tasks.

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ID

911.

H

T

Research Center™

January

February 

March 

April

May 

June 

July 

August

September 

October 

November 

December 

31 days

28 days

31 days

30 days

31 days

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31 days

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30 days

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Timeless Time

JAN ↔ DEC

28 of 73

search

←

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←

↖

visual

Programme compiled by the Department of Visual Studies.

12–18 October 2026

Visual Research Festival — Zagreb, 2026

An open inquiry into form, colour and perception.

Monday, 12 October at 19:00

Technical Museum Nikola Tesla Savska cesta 18

Zagreb

Exhibition open daily 10:00–20:00 Free admission. Workshop registration required.

​

Organised by the Centre for Visual ResearchFull programme and registration at visualresearch.example

Umjetnost / Dizajn / Arhitektura

Zagreb Biennale / 27 /

October / 10th / 2026

Ivan Picelj / Vjenceslav Richter /

Aleksandar Srnec / Bernardo Bernardi /

Zvonimir Radić / Zdravko Bregovac /

Vlado Kristl / Božidar Rašica /

Vladimir Zarahović

Averell
Brenshaw
Corvett
Denswick
Elvaren
Fennor
Gravell
Harlowe
Iverson
Jorvell
Keldren
Loxmere
Marden
Norwick
Orvell
Pryden
Quenby
Renshaw
Selwick
Thornell
Ulver
Veyland
Wexford
Xandell
Yarven
Zennor

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Architecture

●

Exibition

Ⓐ

MOI Museum

2026

Zagreb

Abstraction does not mean separation from reality. It can be a

method for understanding reality more precisely. By removing the

accidental, relationships become visible: proportion, tension,

balance, repetition and scale.

Visual Archive™

MOI Multimedia Museum

​

Berlin, 2027

new wave

new wave

new wave

new wave

new wave

new wave

new wave

new wave

Visual Archive™

1961 — 1973

National Contemporary Art

🅝

Ⓣ

Umjetnost / Dizajn / Arhitektura

Zagreb Biennale / 27 /

Umjetnost / Dizajn / Arhitektura

Zagreb Biennale / 27 /

March / 14th / 2027

March / 14th / 2027

Mar 15 – Aug 20, 2026

Stockholm

We are in the middle of the symulation

this is just a test

Disrupted Forms

Modern Art Reimagined 08

changed the way we see the world. Modern Art Reimagined explores how modern art broke traditions and changed the way we see the world. The exhibition focuses on bold experimentation, abstraction, minimalism, and conceptual thinking. T

Through several thematic sections, the exhibition traces the transformation of art from recognizable subjects to complete creative freedom. Large-scale abstract paintings emphasize color as an independent language, while sculptures fragment and distort the human figure into geometric or organic forms. A special focus is placed on conceptual works, where the idea becomes more important than visual beauty, encouraging visitors to interpret and reflect rather than simply observe.

“Disrupted Forms” is not just a display of

styles, but an experience that challenges perception and raises the question: what is art, really? The exhibition invites visitors to abandon expectations and engage with art openly, intuitively, and without predetermined rules.

The exhibition presents works that reject

classical perspective, realism, and strict compositional rules, replacing them with abstraction, bold contrasts, and experimental forms. Visitors enter a space where line, color, and shape no longer aim to represent reality, but instead communicate emotion, thought, and the artist’s inner experience.

Modern Art Reimagined explores how modern art broke traditions and

Disrupted Forms

A1

C2

changed the way we see the world. Modern Art Reimagined explores how modern art broke traditions and changed the way we see the world. The exhibition focuses on bold experimentation, abstraction, minimalism, and conceptual thinking.

Through several thematic sections, the exhibition traces the transformation of art from recognizable subjects to complete creative freedom. Large-scale abstract paintings emphasize color as an independent language, while sculptures fragment and distort the human figure into geometric or organic forms. A special focus is placed on conceptual works, where the idea becomes more important than visual beauty, encouraging visitors to interpret and reflect rather than simply observe.

“Disrupted Forms” is not just a display of

styles, but an experience that challenges perception and raises the question: what is art, really? The exhibition invites visitors to abandon expectations and engage with art openly, intuitively, and without predetermined rules.

The exhibition presents works that reject

classical perspective, realism, and strict compositional rules, replacing them with abstraction, bold contrasts, and experimental forms.

Modern Art Reimagined explores how modern art broke traditions and

Disrupted Forms

A1

C2

173

changed the way we see the world. Modern Art Reimagined explores how modern art broke traditions and changed the way we see the world. The exhibition focuses on bold experimentation, abstraction, minimalism, and conceptual thinking.

Through several thematic sections, the exhibition traces the transformation of art from recognizable subjects to complete creative freedom. Large-scale abstract paintings emphasize color as an independent language, while sculptures fragment and distort the human figure into geometric or organic forms. A special focus is placed on conceptual works, where the idea becomes more important than visual beauty, encouraging visitors to interpret and reflect rather than simply observe.

“Disrupted Forms” is not just a display of

styles, but an experience that challenges perception and raises the question: what is art, really? The exhibition invites visitors to abandon expectations and engage with art openly, intuitively, and without predetermined rules.

The exhibition presents works that reject classical perspective, realism, and strict compositional rules, replacing them with abstraction, bold contrasts, and experimental forms. Visitors enter a space where line, color, and shape no longer aim to represent reality, but instead communicate emotion, thought, and the artist’s inner experience.

Modern Art Reimagined explores how modern art broke traditions and

Disrupted Forms

A1

C2

W

.

21

Jesper Just

Izumi Kato

Bharti Kher

Chen Ke

Klara Kristalova

Yves Laloy

Madsaki

Eddie Martinez

Georges Mathieu

Barry McGee

Farhad Moshiri

Gabriel de la Mora

Mr. Takashi Nurakami

Ni Youyu

Otanio

Jean-Michel Othoniel

Gahee Park

Seo-bo Park

Paola Pivi

Gabriel Rico

Claude Rutault

Mark Ryden

Emilly Lae Smith

Jesús Rafael Soto

Pierre Soulages

Josh Sperling

Tavares Strachan

Claire Tabouret

Omin Travese

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André

Chiho Aoshima

Jean-Marie Appriou

Daniel Arsham

Lee Bae

Cristina BanBan

Hernan Bas

Genesis Belanger

Anna-Eva Bergman

Sophie Calle

Maurizio Cattelan

Fei Chen

Johan Creten

Jean-Philippe Delhomme

Wim Delvoye

Nick Doyle

Elmgreen & Dragset

Lionel Esteve

Jens Fänge

Bernardo Frize

Gelitin

Laurent Grasso

Zach Harris

Hans Hartung

Thilo Heinzmann

John Henderson

Leslie Hewitt

Gregor Hildebrandt

Alain Jacquet

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J

The future does not arrive as a finished image.

It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

format 23×23 cm

376 pages

format 23×23 cm

376 pages

format 23×23 cm

376 pages

galerija nova

zagreb

galerija nova

zagreb

galerija nova

zagreb

monografija

exat 51

monografija

exat 51

monografija

exat 51

Mono

‘

73

grafia

‘

73

‘

Mono

grafia

‘

Mono

grafia

73

‘

Visual Archive™

1961 — 1973

Visual Archive™

1961 — 1973

Visual Archive™

1961 — 1973

Neue Multimedia Museum

🅝

Ⓜ

Neue Multimedia Museum

🅝

Ⓜ

November

November

Fourteen

Fourteen

( 14 )

( 14 )

Berlin

Haus

25

A

F

Berlin Kunstahus 27

2027

3 of 14

A Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Monday, 12 October at 19:00

Technical Museum Nikola Tesla
Savska cesta 18

Zagreb

B The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible.

The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Explore our expanding portfolio of studio projects, where we collaborate with creators and brands to craft compelling narratives that resonate.

Mark Pickman

Art & Design

Brand Identity

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The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.

Simple / Multiple

Abstraction does not mean separation from reality. It can be a method for understanding reality more precisely. By removing the accidental, relationships become visible: proportion, tension, repetition, balance and scale. The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible.

Industrial

E

Complex machines

1

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Variable font

Exat / Update 2.0

WDTH:

50—150

SLNT:

2—12

Extra Light italic

Exat

●

Extra Light Condensed

Light Condensed

Regular Condensed

Medium Condensed

Bold Condensed

Extra Bold Condensed

Black Condensed

Extra Light

Light

Regular

Medium

Bold

Extra Bold

Black

Extra Light Wide

Light Wide

Regular Wide

Medium Wide

Bold Wide

Extra Bold Wide

Black Wide

Ⓢ

Extra bold italic wide

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