Exat 2.0
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Italic
update
With the Italic update, Exat becomes an even more powerful typographic tool. Its expanded range gives you greater control over contrast, rhythm, and tone, adding flexibility and creative possibilities across contexts and projects. Scroll down for inspiration and see roman-italic combinations in action through color, motion, and interaction.
Scroll, interact and enjoy.
The Complete Works
( 1973 )
Ola!
The future does not arrive as a finished image. It is
produced through decisions made in the present. New
materials, new forms of labour, new technologies and
new social structures continuously redefine what is
possible. Design cannot predict these conditions
completely, but it can participate in their construction.
To design is therefore not simply to solve an existing
problem. It is to propose a different relationship between what exists and what could exist.
Abstraction does not mean
separation from reality. It can be a
method for understanding reality more
precisely. By removing the accidental,
relationships become visible:
proportion, tension, repetition,
balance and scale.
The future does not arrive as
a finished image.
Visual Archive™
🅝
Ⓜ
Good design is as little as possible. Less, but better, because it concentrates on the essential aspects, and the products are not burdened with non-essentials. Back to purity, back to simplicity.
Dieter Rams
1998
The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible.
Digital printing has revolutionized the fashion industry in recent years, providing designers with new and innovative ways to bring their ideas to life. This technology allows for high-quality graphics and images to be printed directly onto fabric, giving designers the freedom to create intricate and detailed designs that would have been impossible to produce using traditional printing methods.
One of the major advantages of digital printing is its speed and efficiency. With digital printing, designers can produce large quantities of fabric quickly and accurately, which helps to reduce lead times and increase productivity. In addition, digital printing allows for a higher level of customization, with designers able to create unique and personalized designs for each client or customer. Another advantage of digital printing is the quality of the finished product.
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Gear
Shaft
Bearing
Piston
Valve
Pulley
Spring
Flywheel
Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Machine
W
ID
Status
Hybrid
N—314/11.NW/286
Sleep
Definition and Core Concepts
286
Fũnctiōń
Münich
⇥ 0.726
Mödüle
Förm
Kinetics
Ø.21
↔
№
Twëlvë™
→
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
With digital printing, designers can produce large quantities of fabric quickly and accurately, which helps to reduce lead times and increase productivity.
Exat Update 2.0
02 / 86
3
amore
amore
amore
Abstraction does not mean separation
from reality. It can be a method for understanding reality more precisely. By removing the accidental, relationships become visible: proportion, tension, balance, repetition and scale.
Introduction
The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
■
Movement & Collective Life
M ↔ O
biennale
zagreb
april
11th
Zagreb Biennale brings together artists and designers exploring new directions in visual culture. Through typography, image and spatial experiments, the exhibition examines how form shapes perception and opens new possibilities for the way we see, think and communicate.
Moving between art, design and architecture, the programme connects contemporary practices with the city’s experimental heritage. Exhibitions, talks and installations invite visitors to question familiar structures and discover new relationships between objects, ideas and the spaces we share.
Info point
Restaurant
Trattoria dall'Oste
Spa & Wellness
Exat
←
↖
→
↙
Hot Type
Exat / Update 2.0
October / 10th / 2026
Exat comes in seven weights, ranging from Extra Light to Black. We expanded the system to the Condensed, Normal, and Wide subfamilies to further enhance its versatility. This makes for a total of 21 carefully crafted styles that retain a print-like quality on account of their tight spacing and refined curves. The variable font technology provides users with maximum control in choosing the exact type—fit for any setting.
Inspired by the modernist era and local Croatian graphic design quirks—such as modified thin accents—we developed a stylistic set that can turn diacritics, punctuation, and even symbols into their thinner alternates. There is a substitute shape for the lowercase letter “a”, as well as options to place letters and numbers into squares and circles.
Everything you’d need when it comes to all-encompassing functionality—and then Exat can do some more: case-sensitive characteristics, language-specific features, stylistic interventions, and number-related properties, such as a slashed zero, fractions, and superior/inferior figures. Find out what Exat can do for you—it’s just a click away in the Open Type menu.
Exat has 1715 glyphs per style for versatile design. It includes numerals, symbols, punctuation, currency symbols, and even a dingbat set, making it a powerful typographic tool for demanding tasks.
( 1973 )
Exat has 1715 glyphs per style for versatile design. It includes numerals, symbols, punctuation, currency symbols, and even a dingbat set, making it a powerful typographic tool for demanding tasks.
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Research Center™
January
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Timeless Time
JAN ↔ DEC
28 of 73
Programme compiled by the Department of Visual Studies.
12–18 October 2026
Visual Research Festival — Zagreb, 2026
An open inquiry into form, colour and perception.
Monday, 12 October at 19:00
Technical Museum Nikola Tesla Savska cesta 18
Zagreb
Exhibition open daily 10:00–20:00 Free admission. Workshop registration required.
Organised by the Centre for Visual ResearchFull programme and registration at visualresearch.example
Umjetnost / Dizajn / Arhitektura
Zagreb Biennale / 27 /
October / 10th / 2026
Ivan Picelj / Vjenceslav Richter /
Aleksandar Srnec / Bernardo Bernardi /
Zvonimir Radić / Zdravko Bregovac /
Vlado Kristl / Božidar Rašica /
Vladimir Zarahović
Averell
Brenshaw
Corvett
Denswick
Elvaren
Fennor
Gravell
Harlowe
Iverson
Jorvell
Keldren
Loxmere
Marden
Norwick
Orvell
Pryden
Quenby
Renshaw
Selwick
Thornell
Ulver
Veyland
Wexford
Xandell
Yarven
Zennor
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Architecture
●
Exibition
Ⓐ
MOI Museum
2026
Zagreb
Abstraction does not mean separation from reality. It can be a
method for understanding reality more precisely. By removing the
accidental, relationships become visible: proportion, tension,
balance, repetition and scale.
Visual Archive™
MOI Multimedia Museum
Berlin, 2027
new wave
new wave
new wave
new wave
new wave
new wave
new wave
new wave
Visual Archive™
1961 — 1973
National Contemporary Art
🅝
Ⓣ
Umjetnost / Dizajn / Arhitektura
Zagreb Biennale / 27 /
Umjetnost / Dizajn / Arhitektura
Zagreb Biennale / 27 /
March / 14th / 2027
March / 14th / 2027
Mar 15 – Aug 20, 2026
Stockholm
We are in the middle of the symulation
this is just a test
Disrupted Forms
Modern Art Reimagined 08
changed the way we see the world. Modern Art Reimagined explores how modern art broke traditions and changed the way we see the world. The exhibition focuses on bold experimentation, abstraction, minimalism, and conceptual thinking. T
Through several thematic sections, the exhibition traces the transformation of art from recognizable subjects to complete creative freedom. Large-scale abstract paintings emphasize color as an independent language, while sculptures fragment and distort the human figure into geometric or organic forms. A special focus is placed on conceptual works, where the idea becomes more important than visual beauty, encouraging visitors to interpret and reflect rather than simply observe.
“Disrupted Forms” is not just a display of
styles, but an experience that challenges perception and raises the question: what is art, really? The exhibition invites visitors to abandon expectations and engage with art openly, intuitively, and without predetermined rules.
The exhibition presents works that reject
classical perspective, realism, and strict compositional rules, replacing them with abstraction, bold contrasts, and experimental forms. Visitors enter a space where line, color, and shape no longer aim to represent reality, but instead communicate emotion, thought, and the artist’s inner experience.
Modern Art Reimagined explores how modern art broke traditions and
Disrupted Forms
A1
C2
changed the way we see the world. Modern Art Reimagined explores how modern art broke traditions and changed the way we see the world. The exhibition focuses on bold experimentation, abstraction, minimalism, and conceptual thinking.
Through several thematic sections, the exhibition traces the transformation of art from recognizable subjects to complete creative freedom. Large-scale abstract paintings emphasize color as an independent language, while sculptures fragment and distort the human figure into geometric or organic forms. A special focus is placed on conceptual works, where the idea becomes more important than visual beauty, encouraging visitors to interpret and reflect rather than simply observe.
“Disrupted Forms” is not just a display of
styles, but an experience that challenges perception and raises the question: what is art, really? The exhibition invites visitors to abandon expectations and engage with art openly, intuitively, and without predetermined rules.
The exhibition presents works that reject
classical perspective, realism, and strict compositional rules, replacing them with abstraction, bold contrasts, and experimental forms.
Modern Art Reimagined explores how modern art broke traditions and
Disrupted Forms
A1
C2
changed the way we see the world. Modern Art Reimagined explores how modern art broke traditions and changed the way we see the world. The exhibition focuses on bold experimentation, abstraction, minimalism, and conceptual thinking.
Through several thematic sections, the exhibition traces the transformation of art from recognizable subjects to complete creative freedom. Large-scale abstract paintings emphasize color as an independent language, while sculptures fragment and distort the human figure into geometric or organic forms. A special focus is placed on conceptual works, where the idea becomes more important than visual beauty, encouraging visitors to interpret and reflect rather than simply observe.
“Disrupted Forms” is not just a display of
styles, but an experience that challenges perception and raises the question: what is art, really? The exhibition invites visitors to abandon expectations and engage with art openly, intuitively, and without predetermined rules.
The exhibition presents works that reject classical perspective, realism, and strict compositional rules, replacing them with abstraction, bold contrasts, and experimental forms. Visitors enter a space where line, color, and shape no longer aim to represent reality, but instead communicate emotion, thought, and the artist’s inner experience.
Modern Art Reimagined explores how modern art broke traditions and
Disrupted Forms
A1
C2
Jesper Just
Izumi Kato
Bharti Kher
Chen Ke
Klara Kristalova
Yves Laloy
Madsaki
Eddie Martinez
Georges Mathieu
Barry McGee
Farhad Moshiri
Gabriel de la Mora
Mr. Takashi Nurakami
Ni Youyu
Otanio
Jean-Michel Othoniel
Gahee Park
Seo-bo Park
Paola Pivi
Gabriel Rico
Claude Rutault
Mark Ryden
Emilly Lae Smith
Jesús Rafael Soto
Pierre Soulages
Josh Sperling
Tavares Strachan
Claire Tabouret
Omin Travese
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K
L
M
N
O
T
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André
Chiho Aoshima
Jean-Marie Appriou
Daniel Arsham
Lee Bae
Cristina BanBan
Hernan Bas
Genesis Belanger
Anna-Eva Bergman
Sophie Calle
Maurizio Cattelan
Fei Chen
Johan Creten
Jean-Philippe Delhomme
Wim Delvoye
Nick Doyle
Elmgreen & Dragset
Lionel Esteve
Jens Fänge
Bernardo Frize
Gelitin
Laurent Grasso
Zach Harris
Hans Hartung
Thilo Heinzmann
John Henderson
Leslie Hewitt
Gregor Hildebrandt
Alain Jacquet
A
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G
H
J
The future does not arrive as a finished image.
It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
format 23×23 cm
376 pages
format 23×23 cm
376 pages
format 23×23 cm
376 pages
galerija nova
zagreb
galerija nova
zagreb
galerija nova
zagreb
monografija
exat 51
monografija
exat 51
monografija
exat 51
Mono
‘
73
grafia
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Mono
grafia
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grafia
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Berlin
Haus
25
A
F
Berlin Kunstahus 27
2027
3 of 14
A Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Monday, 12 October at 19:00
Technical Museum Nikola Tesla
Savska cesta 18
Zagreb
B The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible.
The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Explore our expanding portfolio of studio projects, where we collaborate with creators and brands to craft compelling narratives that resonate.
Mark Pickman
Art & Design
Brand Identity
143
echo
echo
echo
echo
echo
echo
The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible. Design cannot predict these conditions completely, but it can participate in their construction. To design is therefore not simply to solve an existing problem. It is to propose a different relationship between what exists and what could exist.
Simple / Multiple
Abstraction does not mean separation from reality. It can be a method for understanding reality more precisely. By removing the accidental, relationships become visible: proportion, tension, repetition, balance and scale. The future does not arrive as a finished image. It is produced through decisions made in the present. New materials, new forms of labour, new technologies and new social structures continuously redefine what is possible.
Industrial
E
Complex machines
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Variable font
Exat / Update 2.0
WDTH:
50—150
SLNT:
2—12
Extra Light italic
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Bold Condensed
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